Starfish — Concept still

A Film by Micah Groenevelt

STARFISH

Would you clone a loved one?

01 — The Film

Starfish — Official Poster

What would you do
for a second chance?

Logline

Starfish follows a scientist who uses cloning and memory research to resurrect his wife after a tragic accident. When the memory integration seemingly fails, he is forced into the role of ‘father’ as he raises the clone of his dead wife as his daughter.

STARFISH is a prestige science fiction thriller that dives into what it means to reframe love, search for identity, and chase for a second chance.

Human CloningAI Memory StorageSecond ChancesParentingIdentityMoral Strength

Genre

Sci-Fi

Format

2.39 : 1

Director

Micah Groenevelt

Status

Coming 2027

He loses his wife.

He clones her.

He raises the clone as his daughter.

Eighteen years later...

She begins remembering.

What happens when your daughter starts remembering being your wife?

What do all these sci-fis have in common?

2014Ex Machina
2013Her
2016Arrival
2004Eternal Sunshine of the Spotless Mind
2011Black Mirror
2022Severance

None of them became successful because of the technology.

They became successful because everyone walked out arguing.

Everyone asks themselves

Who am I?

We ask

What if your memories belonged to someone else?

We've stumbled onto a premise that people will debate for hours.

At a Glance

Prestige Science Fiction$2M BudgetDistribution SecuredDe-Risked Through State Tax IncentivesInternational Pre-Sales StrategyCommercially Proven Genre$100K+ CrowdfundedScientific AuthenticityProven Production Team

What People Are Saying

“

You're in a really unique position where you can really bring something that is going to be a classic.

Carla Cox

Starfish Investor

“

It's so intriguing because it's sci-fi meets contemporary in a realistic way and the premise is so wild!

Mark Bazil

Starfish Investor

“

You've got something here that's a genuinely original sci-fi and not only that but you've proven the ability to execute it.

Lauren Herrel

Starfish Casting Director

“

Here are two people that are really thoughtful storytellers, but also incredibly strategic which is something that I have found is rare in this business.

Harmon Kaslow

Atlas Distribution

02 — Film Comparables

Companion poster

2025

Companion

Rated
R
Runtime
97 min
Budget
$10M
Box Office
$36.7M
Distribution
Warner Bros.
Cast
Sophie Thatcher, Jack Quaid, Lukas Gage
Ex Machina poster

2014

Ex Machina

Rated
R
Runtime
108 min
Budget
$15M
Box Office
$37.4M
Distribution
A24 / Universal
Cast
Alicia Vikander, Domhnall Gleeson, Oscar Isaac
Call Me By Your Name poster

2017

Call Me By Your Name

Rated
R
Runtime
132 min
Budget
$3.5M
Box Office
$43.1M
Distribution
Sony Pictures Classics
Cast
Timothée Chalamet, Armie Hammer, Michael Stuhlbarg

03 — The Story

A story in three chapters

Bride smiling — Marie
Chapter 01

The Relationship

Chapter One introduces Jonah and Marie, a married couple and scientific partners working at the cutting edge of two rapidly advancing fields: human cloning and memory preservation. Their research holds the possibility of something once unimaginable — the creation of a genetically identical human capable of inheriting the memories of the person from whom they were cloned.

As their work advances, we enter the complicated world surrounding them. Marie's relationship with her mother reveals wounds from her upbringing that continue to shape her as an adult, while Jonah and Marie navigate the personal and ethical implications of research that is quickly becoming more than theoretical. Just as they secure the funding necessary to advance their work, Marie is killed in a tragic accident.

Her death leaves Jonah devastated, but it also creates a horrifying scientific possibility. Marie is the only person for whom they have successfully preserved approximately 97 percent of a lifetime of memories. Their investor, Banko, pressures Jonah to do what their research was ultimately designed to make possible: clone Marie and attempt to restore those memories into the new body.

Jonah agrees. The cloning succeeds. The memory integration apparently does not.

Baby in synthetic sack — the clone
Chapter 02

Childhood

Chapter Two jumps forward nine years. The clone, named M, is now a healthy, happy child. She has shown no meaningful evidence of possessing Marie's memories, and what began as a scientific experiment has transformed into something neither Jonah nor his investors anticipated: a childhood. With no Marie seemingly emerging inside her, Jonah has become the only thing M has ever known him to be — her father.

Banko sees things differently. To him, M represents an unfinished experiment and an extraordinary investment that has yet to produce its intended result. Because M was created rather than born and possesses no conventional birth certificate, Banko attempts to assert that she is legally property, allowing the research to continue.

Faced with the possibility of losing her, Jonah scrambles to legitimize M's existence and protect her. As he does, people closest to him — including his foster father — begin discovering the truth of M's origin. Their suspicions turn toward Jonah himself. Whatever love he now feels for M, she exists because a grieving husband attempted to recreate his dead wife. The question of what Jonah intended M to become, and what he might still expect from her, becomes increasingly difficult to ignore.

Hands on a typewriter — M continuing Marie's research
Chapter 03

"M" for Marie

Chapter Three begins on M's eighteenth birthday. Now a young woman, M has grown into an identity entirely her own. But unbeknownst to Jonah, she has also picked up the scientific research he abandoned years earlier. As she begins experimenting with the technology herself, something changes: M starts experiencing memories that do not belong to her.

Marie's memories. The experiment Jonah believed had failed eighteen years earlier may simply have been dormant.

As fragments of Marie's life begin surfacing inside M, the distinction between the woman she has become and the woman whose body and memories she inherited begins to fracture. M remembers experiences she never lived, relationships she never had, and a life that ended before her own began. At the same time, the technology she is rediscovering represents a scientific breakthrough with implications far beyond her own existence.

Those around M are forced to confront the morality of Jonah's original decision, while M faces a far more intimate question: if another person's memories exist inside her, where does Marie end and M begin?

Eventually, M turns to the one person who has known the truth from the beginning. She confronts Jonah with the question that has come to define her existence:

Are you my father, or are you my husband? Why did you make me?

04 — The Characters

Click a character to pin their bio

Hover or click a character

05 — A Scene From The Film

TENKARA

With starkly limited resources, we produced this scene on time and under budget. In addition to working with Scott Takeda — a six-time Emmy Award winning producer and actor — we were invited to premiere this film at two separate local festivals without prior submission for entry.

Jonah and Marie meet with their prospective investor for funding for their controversial research.

TENKARA — A Scene From Starfish

Behind the Scenes

Behind the scenes — crew filming at the table

06 — Tone & Feel

Visual Language

A curated look book and original score that define the film's visual and emotional world.

Look Book

1 / 74

Original Theme

STARFISH — Main Theme

Composed by Jeffrey Carabelos. The original theme piece written for the film.

Music by Jeffrey Carabelos

Light breaking through storm clouds over the ocean

07 — Our Vision

Earned Catharsis

We are entering an era where artificial intelligence, digital identity, memory preservation, and biotechnology are rapidly blurring the boundaries of what it means to be human.

As these technologies move from science fiction into everyday life, the questions they raise become increasingly personal. Starfish is our answer to some of these questions. In an era where sci-fi often paints a bleak future, we are deeply committed to resurrecting that spark of hope. Jeff and I long for the storytelling of the 80s, 90s, and early 2000s: narratives that dared to face difficult truths yet found a way to earn redemption.

With STARFISH, we embrace the heavier and more controversial questions, the ones that can unsettle, because we believe confronting them is what allows us to genuinely redeem them. We're not just telling a story; we're offering a vision of a future where science, identity, and second chances hold not just weight, but light.

"This is our passion: to remind audiences that even in the hardest stories, there is room for redemption and optimism."

08 — The Team

  • Micah Groenevelt

    Director / Writer / Producer

  • Jeffrey Carabelos

    Producer / Composer / Writer

  • Lauren Herrel

    Casting Director / Producer

  • Elena Henry

    Associate Producer / Production Manager

  • Troy Pierce

    Editor

  • Katerina Gerlach

    Assistant Director

  • Harmon Kaslow

    Distribution & Strategy

Click a name to pin their bio

Hover or click a name

09 — The Budget

$2,000,000

Total Production Budget — Select a category to explore details

7.5%PRODUCER'S UNIT

Budget allocation

Allocation

7.5%

Amount

$150,000

Category

01 of 09

Producer's Unit

The Producers Unit covers the core producing team, including Micah Groenevelt and Jeffrey Carabelos, while allowing us to secure a reputable producing partner. This ensures both credibility and experience, helping us navigate the project's complexities and ensuring we bring in the right people and resources from start to finish.

Total Production Budget$2,000,000

10 — Cast & Attachments

The Ensemble

Our casting strategy balances attainability, role excitement, ensemble chemistry, and international market appeal — key factors in a genre film built for global theatrical release.

Troy Baker

Character

Jonah

Crossover Media

Troy Baker

  • The Last of Us Part I & II (Video Game)
  • Uncharted 4 — Sam Drake

Breakout crossover star from gaming into prestige television. Strong US fanbase with global gaming audience.

Hadley Robinson

Character

Marie / M

Rising Star

Hadley Robinson

  • Moxie
  • Little Women (2019)
  • Winning Time
  • Mountainhead

On the cusp of A-list. Playing dual roles as Marie and her clone makes this a landmark performance opportunity.

Ken Watanabe

Character

Banko Yoshimura

International

Ken Watanabe

  • The Last Samurai
  • Batman Begins — Ra's al Ghul
  • Inception — Saito

Global marquee name with massive reach across Asian and Western markets. Gravitas for the investor character.

Jane Adams

Character

Maya

Critical Prestige

Jane Adams

  • Happiness
  • Twin Peaks: The Return
  • Eternal Sunshine of the Spotless Mind

Award-caliber character actress with deep indie credibility. Anchors the film's dramatic and emotional weight.

Christopher Eccleston

Character

Richard

International

Christopher Eccleston

  • Doctor Who — The 9th Doctor
  • 28 Days Later
  • Thor: The Dark World — Malekith

Cult icon with deep UK and European appeal. Eccleston is a chameleonic actor who fully inhabits every role.

Attainability

All talent is within realistic reach for a $2M prestige sci-fi with strong material.

Role Excitement

Dual-role lead, morally complex antagonist, and career-defining supporting parts.

Ensemble Chemistry

Experienced actors accustomed to character-driven, dialogue-heavy productions.

International Appeal

Ken Watanabe and Christopher Eccleston provide immediate access to Asian and European markets.

11 — Festival Strategy

The Festival Campaign

01 — World Premiere

SXSW

Strong fit for Starfish as provocative, accessible, emotionally driven science fiction with a concept built to generate conversation.

TIFF

Increasingly compelling with a recognizable cast package and strong commercial/prestige positioning.

Sundance

Strong fit for Starfish if the finished film is emotionally devastating, quiet, and highly cinematic, offering the strongest prestige positioning for the film.

02 — Genre Festival Circuit

Sitges

Major international target with dedicated programming for ambitious and unconventional genre cinema.

Fantastic Fest

Strong fit if the finished film leans darker, stranger, or more disturbing.

Fantasia

Highly engaged genre audience with strong critic and industry presence.

03 — Local & Strategic Festivals

Regional & Local Circuit

Use select regional and local festivals to extend the film's momentum, build grassroots support, and create opportunities for press, audience engagement, and filmmaker visibility.

Festivals as a PR Engine

The festival campaign becomes the beginning of the theatrical marketing campaign.

Rather than simply screening the film, each festival becomes a content-generation and publicity engine feeding the theatrical release.

01Official Selection
↓
02Press & Reviews
↓
03Pull Quotes & Audience Reactions
↓
04Cast & Filmmaker Interviews
↓
05Science + Memory Conversations
↓
06Identity & Ethical Debate
↓
07Colorado Production Story
↓
08Theatrical Campaign

The Conversation

"Could memories ever actually be transferred?"

"If you have someone else's memories, are you still you?"

12 — The Roadmap

2026 — 2027

Production Roadmap — Click any phase to expand

Jun – Nov 2026

Development & Attachments

  • Actor attachments
  • Secure celebrity marketing partners
  • Bring on a known producer / studio partner

expand ↓

Aug – Dec 2026

Financing & Packaging

  • Decide on shooting location and build relationships
  • Pre-sales conversations and packaging
  • Finish closing main financing by November

expand ↓

Dec 2026 – Jan 2027

Pre-Production Begins

  • Build early press momentum
  • Finalize crew and team
  • Continue casting final roles

expand ↓

Early 2027

Pre-Production

  • Sets, props, and costumes
  • Rehearsals
  • Final gap financing secured

expand ↓

Apr – May 2027

Principal Photography

  • Full production shoot
  • On-location principal photography

expand ↓

Jun – Sep 2027

Post-Production

  • Editing and color grading
  • Sound design and music score
  • Final delivery and DCP

expand ↓

Sep – Oct 2027

Theatrical Release

  • Target theatrical release window
  • Festival circuit and press
  • P&A campaign launch

expand ↓

Release

13 — Marketing & Data

Data-Driven Release

We deploy scene-level sentiment data and geographic audience intelligence to target the right markets, optimise key art, and launch a campaign built around what actually resonates — before a dollar goes to media buy.

iScreeningRoom

Real-Time Sentiment Tracking

iScreeningRoom viewers click in real time when they like or dislike moments — with explanations. Starting at ~300 people, results produce statistically meaningful insights on pacing, character arcs, and emotional beats. Unlike one-night theater previews with skewed recruitment, iScreeningRoom reaches broader audiences online, yielding feedback that aligns closely with real-world scores.

Case Study

The Norseman Precedent

Norseman creator Anders Tangen spent $33k in targeted Facebook ads and brought the show to Netflix's top 10. In the first $18k spend he grew the Facebook page to 5.5 million followers in 28 days.

By testing posters, trailers, and key art in advance, engagement metrics reveal what actually drives interest — de-risking marketing spend before a single ticket goes on sale. Platforms are beginning to showcase scenes to encourage natural discovery, and scene-based content spurs organic engagement that no paid ad can replicate.

Pre-Release Strategy

Immersive Transmedia Rollout

In addition to scene-level marketing, we use immersive transmedia storytelling to seed organic online discussion via social influencers, Reddit, blogs, and more — a strategy proven by The Dark Knight, District 9, Longlegs, and The Blair Witch Project.

Week 1

The Incident

Launch the article ('Scientist Clones Wife After Tragic Accident') on Reddit and niche forums. Organic social media shares begin, fostering speculation.

Week 2

The Debate

Introduce follow-up articles ('Experts Question Cloning Breakthrough'). Seed conversations on Reddit, Twitter, and Facebook with thought-provoking questions.

Week 3

The Discovery

Release cryptic clues linking the story to Starfish — symbols, quotes, visuals. Collaborate with influencers to 'investigate' the story.

Week 4

The Reveal

Drop the teaser trailer and theatrical schedule. Encourage audience engagement with hashtags and calls to action.

14 — Distribution

Secured Distribution

Most independent films cross their fingers for festival recognition and a studio acquisition — with no backup plan if that doesn't happen. Starfish is different. We have distribution already secured through Atlas, giving us a concrete, actionable path to theaters regardless of what happens on the festival circuit.

Should a studio deal materialize that is genuinely ideal for the film and its investors, we'll pursue that path. But we're not waiting for one, and we're not banking on one. The plan is already in motion.

Strategy

Exponential Waves

We begin with a data-informed 20-theater rollout — using iScreeningRoom and CinemaCloudWorks to identify the highest-potential markets. Each subsequent wave is funded by receipts from the previous one, creating a self-sustaining expansion engine up to 2,500 screens.

  • We choose bookings — Atlas facilitates
  • Wave 1 receipts fund Wave 2 P&A
  • Wave 2 receipts fund Wave 3, and so on
  • Expansion continues until KPIs no longer show return

Gate Conditions

KPIs That Gate Expansion

We only advance to the next wave when at least two KPI signals are met and the wave shows positive net contribution after exhibitor settlement and variable costs.

  • 01≥ 90% of target per-theater gross
  • 02≥ 1.5× ROAS on paid campaigns
  • 03≥ 20% advance ticket share by Thursday
  • 04Strong fan density metrics in next DMA

Per Theater

$3,297

round cost

Cost Breakdown

Geo-targeted paid social ads$3,000 / theater
Booking & servicing$100 / theater
DCP / KDM / delivery$75 / theater
Local PR & listings$50 / theater
In-theater print collateral$72 / theater

Exhibitor relations: $5k/month — engaged only after 100 theaters. Total P&A spend through wave 10: $5.7M.

Theatrical Projections — Hover a wave to explore

DISCLAIMER: FUTURE PROJECTIONS ARE NOT GUARANTEED.

W1
W2
W3
W4
W5
W6
W7
W8
W9
W10

Model Assumptions

Avg. ticket price: $16750 tickets sold per theater60% exhibitor share of grossSelf-sustaining by Wave 2

15 — Additional Revenue

Beyond the Box Office

Theatrical is the launchpad — not the ceiling. Starfish has multiple downstream revenue windows that operate independently of box office performance, each building on the audience and momentum created during the theatrical run.

01 — Beyond North America

International Distribution

All theatrical projections presented are North American only. International distribution represents an entirely separate — and largely untapped — revenue layer. As the film builds domestic momentum, we pursue international sales through territory-by-territory deals, foreign theatrical runs, and international streaming partnerships, each adding to investor returns without impacting the domestic model.

02 — Home Entertainment Windows

Video on Demand

Following theatrical, the film moves through a sequenced VOD rollout — each window capturing a distinct audience segment and revenue tier.

PVODPremium Video on Demand — early home access at a premium price point, typically 30–45 days post-theatrical.
TVODTransactional VOD — digital rental and purchase through platforms like Apple TV, Amazon, and Google Play.
SVODSubscription VOD — licensing to streaming platforms (Netflix, Max, Hulu, etc.) for a flat rights fee.
AVODAd-supported VOD — free streaming with ad revenue share, extending the film's long-tail reach.

03 — 6M+ Followers

Social Audience Capitalization

Our national marketing campaign is projected to build a social following of over 6 million people by the time ad spend concludes. That audience doesn't disappear after opening weekend — it becomes a direct-to-consumer channel for merchandise and media with no middleman.

VinylLimited-edition vinyl releases of the original soundtrack.
Blu-rayCollector's edition physical media with bonus content.
ApparelShirts, hoodies, and hats — co-designed with the film's aesthetic.
MediaLook books, art prints, and editorial media tied to the film's visual identity.

16 — Contact

Get in Touch

Micah Groenevelt

Director / Producer

micah@watchstarfish.com

Jeffrey Carabelos

Composer / Line Producer

jeffrey@watchstarfish.com

Elena Henry

Production Manager

elena@watchstarfish.com

Fiscal Sponsorship

We're proud to be fiscally sponsored by the Boulder County Arts Alliance — Boulder's oldest multidisciplinary arts nonprofit and a cornerstone of the region's creative economy. Through this partnership, all donations to Starfish are tax-deductible, processed through BCAA and regranted directly to our film.

By supporting Starfish, you're not just funding a story — you're investing in a vibrant cultural ecosystem that enriches the whole community.

Awarding grants to emerging projects

Supporting underrepresented voices

Creative youth education

Access to the arts for all